"Hey, what do you think of the David Bowie single? Is this a subject due for exploration on Compartmentsee........?"
I do not normally respond to reader’s requests, partly because I haven’t had any yet. So I was thrilled when one of my long term readers, Louise, emailed me this with this request to explore the new David Bowie single, Where are we Now.
But as I am not a Bowie expert, reviewing this could prove to be difficult.
I turn to my friend Joe. Joe is my musical tastemaker.
He supplies me with musical inspiration with his sublimely crafted
compilations. If faced with a tricky music trivia question where my life
depended on it, I know Joe would come through for me.
I send him a message on Facebook asking him what he thinks of the new single, to which he
replies:
If he
likes the song I know it will only be a matter of time, then, before I like
it.
I first hear it premiered on early morning BBC
Radio 4. I am trying to hear it over the general din of my kids having
breakfast. (While my kids eat breakfast I am in the habit of dashing over and
turning down BBC Radio 4 at the mention of rape, child abuse and serial
killings. On some mornings I am up and down quite a bit, begging the question
as to why we listen to it at all).
Bowie’s voice sounds all at once fragile,lamenting, haunting and haunted. It could break, it is old, but sings
true and endures with powerful emotion to the end of the song.
I get up, this time not to protect my kids
from the content of Radio 4 but to put my ear up close enough to the radio to hear the song at all. I have the feeling that a lot in my life is mediated in a way
that is distracted, including friends and family, which is a terrifying thought.
The Today programme presenter perhaps wonders for
a moment how to create the right mood with his voice to introduce the new song
by David Bowie, that is being officially introduced to the world. The presenter,
let’s call him Jon, is tired, beat. His children kept him up last night. He had
a row with his wife. Reading the news everyday is getting him down. Is the
world really so bad? Is it so terrible?
Let us imagine it for a minute his internal monologue as he hears the
Bowie song he has just introduced:
Here comes Bowie, yeah yeah, and soon we will be back to financial news, wars and
death. God I am tired. Bowie, you hit it on the nail, mate. This is how I feel.
I should be reading the news as you are singing your song. Please God, give me
the courage to read the news with your voice. This news is sad, and I want to
remember or imagine a better time when there was hope. Your voice has a sadness
to it, but in your voice there is also hope. You sing about Berlin, a city destroyed
by bombs, divided by a wall, lives blighted by political circumstance. But you
also sing about the constants in our lives, if we might just look for them. As
long as there’s sun, as long as there’s rain, as long as there’s fire. Bloody
poignant stuff, mate. You know it has really got me thinking about my wife and
our row. The line, as long as there’s me, as long as there’s you. …..
Well. That was, “Where are we now?” by David Bowie so let’s move on the financial markets……..
Don’t they know that I am dying inside? I met my wife when I was working
as a correspondent In Berlin. God, what an exciting time that was, just as the
wall was coming down! What a great fucking story that was!!!
On Facebook, I later see that Joe has 'liked'
a cover version of David Bowie’s,Where Are We Now by musical experimenter and
artist extraordinaire Momus. Clicking then onto the Momus website I discover that he is
soon to play in Berlin in the district of Wedding, where I used to live!
Everything just seems to come together and I feel able to review the song. From
Louise, to Joe, to BBC Radio 4, from Bowie, to Berlin, to Momus, to Wedding, it feels like the circle has closed. And
all this via email, Facebook and the internet, without exchanging a single word
with anyone.
So soon I will be returning to Berlin, with David Bowie’s lyrics ringing in my ears channeled through the medium of Momus. Or will I?
The Momus concert is a secret gig, though advertised
as taking place in Wedding. Curiously it may cost either 5 Euros or be free.
The concert begins at 10pm but even if I don’t manage to find it I will be accompanied by a now familiar soundtrack as I wander around my old stamping ground reminiscing about what just might have been.
Where are we now?
Where are we now?
As long as you know
You know you know.
As long as there’s sun
As long as there’s sun
As long as there’s rain
As long as there’s rain
As long as there’s fire
As long as there’s fire
As long as there’s me
As long as there’s you
very poignant .
ReplyDeleteyou should be on radio Phwoar.
Thank you Mr Zeel. I think I have been brainwashed by radio 4 so a stint with Radio Phwoar would be just the ticket.
DeleteA new and dymamic way of reviewing a pop single, for sure.
ReplyDeleteThank you Mr Anonymous. I have learnt everything I know from you, and have had to improvise the rest.
DeleteI am going to pose more questions to the Bielfeld oracle as I found that a most satisfying and thoughtful response. Poignant yet again. Anonymous Louise
ReplyDeleteThank you Anonymous Lou,
ReplyDeleteI can't promise to give you wise counsel but I will always give you my 2 cents worth. Keem 'em coming!